Daniel in the Lion’s Den
1942
Black-and-white lithograph
10” x 13” plate
This lithograph is of the popular spiritual by the same name. The print is enriched by a sense of Hollywood fantasy and dramatic lighting. An angel shines a light down from above to illustrate the scene of a preacher being taunted by temptations of the flesh, symbolized by winged demons with lion heads, each offering a vice—gambling, loose women, and drink among them. On his knees, with his arms prostrate, Daniel, enveloped in the strength of the light, seems to resist the enticement of sin.
The dramatic comedy inherent in this lithograph is a reflection of the artist’s experiences with and understanding of how religion translated into high standards among members of the Copperville community. In her notes, she describes humor and laughter as being like sunshine—free for everyone. She observed that this approach to life alleviated the burden of a people unfairly accustomed to tragedy. Her final line on this subject is made interesting by the phrase crossed out with a red pencil. The sentence begins,
This power of unlimited faith …may be the magic that produces the quick negro gaiety.” She then edited out her final critical thought: “a heritage that all other races may well envy, and copy if they can.